10/25/2019 · Drunken Ship Records · DSRNB06
Nowherebound’s sixth studio album, “Mourning Glory”, was an ambitious return to the DIY ethos the band was founded upon. A double album, this record showcases the prolific songwriting and expansive diverse spectrum of “punk rock” Nowherebound encompasses.
The album consists of all-new music but it plays like a greatest hits album already.
09/20/2019 · Drunken Ship Records · DSRNT01
The debut acoustic album from singer-songwriter Natchet Taylor. Dark, sonically composty, and raw, "Rainy New Moon" celebrates heartbreak while blending genres and styles not normally ventured into by the typical singer-songwriter fare.
06/11/2019 · Drunken Ship Records · DSRDW01
The Disko Wolves debut album, “Feral as Fuck”, is a straight-up and unapologetic rock-n-roll DIY masterpiece. Written and recorded by Natchet Taylor in his backyard shed recording studio, this album flaunts pure and brash garage-punk abandon. The rules were simple, you got up to two takes on your tracks, then you moved on.
08/23/2016 · Drunken Ship Records · DSRNB05
Nowherebound's fifth studio album "Hearts & Arrows" was touted on their IndieGoGo Campaign as being their greatest and most ambitious album to date. After a wildly successful fully fan-funded crowdfunding campaign, a grueling month of recording, an intense mixing and mastering session, and many late nights and early mornings of art and design, Nowherebound tries to make good on that statement by proudly presenting this 17 song offering for the summer of 2016.
Following on the heels of last year's softer offering "All We Got is Everything to Lose", Nowherebound's "Hearts & Arrows" is a much harder, straight-up punk rock record. It's loud, it's big, it's huge yet still manages to incorporate the familiar anthemic punk-folk elements that have defined Nowherebound's sound over the last 6 years.
08/17/2016 · Drunken Ship Records · DSRNB05.5
"Carry On, Caulfield - N.B. Five & 1/2" is a collection of acoustic demos and b-sides from Nowherebound's fifth album "Hearts & Arrows". Recorded in Nowherebound bassist Clint Baker's studio, this six-song offering is reminiscent of early Nowherebound recordings but with more clarity and a higher caliber of production. While some of the tracks may be originally recorded as demos, they stand alone on their own and offer a depth and additional aspects to the final imaginings. There are four acoustic versions of songs released on "Hearts & Arrows" ("Carry On", "78702", "Burnt Out Stars", and "Nothing But Good To You") as well as two tunes that did not make the final album release ("Battle for the Republic" and "18 Countries").
05/13/2015 · Drunken Ship Records · DSRNB04
Fresh off of a European tour promoting "Mockingbirds", the boys and girl of Nowherebound immediately hunkered down in Natchet's infamous Bunker Studio in East Austin to start production of their newest full-length album, "All We Got Is Everything To Lose". Production wrapped up in only a couple of months, but the result is some of the most intricate and thought out material from the band to date.
Originally conceptualized as an acoustic record, the album evolved into a "softer-than-Mockingbirds" electric album while still maintaining the brash anthemic punch and Irish-Folk swagger the band is now well-known for. This is absolutely a classic, sing along, raise your fist, Nowherebound album with songs like "Orchards of Gold", "The Tides", "Sing Her Out" and "Erin Go Home", however, "AWGIETL" stretches out and expands into production and sonic experimentation with songs like "Dread Silence", "Fade To Black", "Sudden Desperation", and "Settle Up Down The Road". All of the songs on this record seem to flow together, making the album a whole entity, easily listened to as one piece of music. A definite must-have for your record collection.
05/12/2015 · Drunken Ship Records · DSRNB-RSH-01
Originally released as a 12" split with German band Rock Shit Hot on Ring of Fire Records. A retrospective of songs new and old, offered up as acoustic recordings featuring two new songs: the brash "Bullet and a Tooth" and the haunting "Wander Round". Also included are acoustic versions of "Here I Am" and "That Was Yesterday", two tracks off of last year's "Mockingbirds" LP, as well as two remixed and remastered versions of songs off of Nowherebound's first LP "Songs of Broken Men".
07/28/2014 · Drunken Ship Records · DSRNB03
Nowherebound's third release "Mockingbirds" showcases a harder punk tempered edge applied to the signature anthemic raucous sing-along abandon the band is known for. This album ups the ante by adding loud guitars and a thunderous rhythm section to the mix. Rounding up some old friends from previous bands, Chris and Natchet enlisted the help of former Born to Lose bassist Chris Hausen and former New Disaster drummer Rob Williamson. Songwriter extraordinaire Trevor Wiseman rounds out the mix on guitars and vocals. Adding new members also piled on on new songwriting possibilities and "Mockingbirds" demonstrates that evolution nicely. This album runs the punk gamut from hard rock brashness to pop punk melodies to the standard raise-your-glass-and-sing-along anthems.
04/20/2013 · Drunken Ship Records · DSRNB02
Nowherebound's ambitious second offering, "II", is a double album recorded mostly in the winter of 2012 at the infamous Slaughterhouse Studios in South Austin, Texas. True to the standards set by the debut album "The Songs of Broken Men", "II" weaves together heartfelt tunes with vulnerable lyrics, hauntingly sparse melodies with raucous anthemic sway; running the musical gambit with its tales of loss, love, brotherhood and life on the road. Split between two discs ("Highway Gospels" and "Three, Two, One").
04/28/2011 · Drunken Ship Records · DSRNB01
This album was recorded during the winter of 2010/2011 in Natchet Taylor's living room, downtown, on the east side of Austin, Texas. Fueled by countless rounds of Lone Star Beer, bottomless pots of coffee, "The Songs of Broken Men" was produced during one of the harshest winters in Austin history. Punk, yet with country sensibilities and a definite acoustic vulnerability, this album is full-hearted and passionate with everything left out on the sleeve.